A bandanna (from Sanskrit “to tie”) is a large colorful kerchief for the head or neck. Those colors travel through the poems, as maples in a gutter turn red, and a half-eaten apple lies by a massage parlor. Color and movement culminate in an autumn sunset of a hundred latte drawings, and the mystery of the bandanna. These savvy observations include both haiku and senryu verses, those poems “of the small” those overlooked dust motes of detail we often bat aside in our daily lives.
ALAN SUMMERS, President, United Haiku and Tanka Society and co-founder, CALL OF THE PAGE
Paperback, 123 Pages, Brick Road Poetry Press, Inc., April 2019
In the underground urban landscape each of us finds ourselves in these uncertain days, bleakness, loneliness, and cavities of the soul are most prevalent. We feel like cages and boxes, steel and cardboard. We act like cobras and rats. Not because we want to, but because we think we have no choice. In the red-streak alarm America of today, sidewalks and street corners are the most potent and pregnant reminders of that emptiness. We forget what, where, and how we traversed and what each space looks like because we are taught from grade school to concentrate on the important matters in our lives.
Paperback, 128 Pages, Christian Faith Publishing, September 2019
This is a book of stories as much as a collection of poems. In it, the characters swerve between the rain-drenched, tree-lined, concrete plains of Houston and the voluptuous, dynamic terrain of Los Angeles. They face multiple realities, and though they’re earnestly grounded, they sometimes swim in the waters of magic realism. Their story is both relatable and a little bit surreal.
Paperback, 106 Pages, Odeon Press, December 2018
a week ago we soared through the sky with all parts intact and fully functional. I didn’t need to look out deep, endless windows we will never have the biology to fly, no matter our construction, no matter the fantasy of the air– and the air is a fantasy you breathe easy and pure descend slowly on telephone lines beyond reach to know what I am made of will never be enough.
Paperback, 44 Pages, Independently Published, May, 2017
I only care about my sons, how they are fruit a garden full of misunderstood leaves Lyrical and reflective and painfully honest, David LaBounty’s debut collection is an exploration of faith, love, fatherhood, and fidelity all weaved around a series of poems dealing with life, parenting, and the wake of a changing family.
Paperback, 128 Pages, Silverthought Press, December 2011
In his new collection, Jeffrey McDaniel confronts the insular and expansive qualities of loss. With electric language and surrealistic imagery, McDaniel’s poems deliver the quotidian elements of middle-age life while weaving us in & out of childhood and adulthood alongside body and mind. The tragic and life affirming share the same page and the same world, reminding us how close corruption can be to innocence; domesticity to fantasy; aging to youth.
Paperback, 230 Pages, Plum White Press, July 2020
Mark Tulin is a surgeon of great majesty in a heartfelt verse. Like a well-trained physician, Mark Tulin brings extraordinary linguistic skills to bear on the injuries of neglect and abandonment. The author offers a compassionate operation through his poetry. Awkward Grace isa must read as a medication for moral sickness.—Tim Truzy, author of Plastic Bags and Medical MelodiesMark Tulin’s chapbook of poems, Awkward Grace, is a fascinating read, specifically incorporating his theme, about people living on the marginal side of life. The collection of poems is both enthralling and enchanting, delving into both despair and hope, of those people in our society who are less fortunate. Readers will be emotionally touched with every one of the twenty-seven heart-felt pieces in the book.—Ivor Steven, Geelong Writers Inc., Australia A moving collection of downtrodden tales speckled with moments of virtue, humor, beauty, and calm. Tulin writes not just of deprivation but of the acceptance of it—a learned helplessness, a passivity, that fills the heart with that strange, sad beauty, with that awkward grace, that Edward Hopper once put to canvas. This is poetry with a mission, and it succeeds. —Brian Geiger, Editor of Vita Brevis Poetry Magazine
Paperback, 43 Pages, Kelsay Books, January 2020