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week of January 23 - 29, 2006



Jessicca Daigle Vidrine and Scott Malby




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Death of a Mauve Bat! | Sinzibuckwud! | We Put Things In Our Mouths | A Man With No Teeth Serves Us Breakfast
I'd Like to Bake Your Good | Stolen Mummies| Brendan Constantine is My Kind of Town | Up Liberty's Skirt | Feeding Holy Cats | Mowing Fargo
I'm a Jew, Are You
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Jessicca Daigle Vidrine
jlvidrine@cox-internet.com

Bio (auto)

Jessicca Daigle Vidrine is an emerging writer whose work has appeared in the Southwestern Review,  Girls with Insurance, storySouth, and is forthcoming in Yemassee and The Porch. One of her poems was also a finalist in Lucidity Poetry Journal's first world poetry contest. In addition, she also published a chapbook in 2002 entitled What Gets Left Behind. She is a resident of Louisiana. Currently, she is attending the University of Louisiana at Lafayette, working on her master's degree in English. She is also the founding editor for Southern Hum, an online journal for emerging and established writers.

The following work is Copyright © 2006, and owned by Jessicca Vidrine and may not be distributed or reprinted in any form whatsoever without written permission from the author.


First Sex

As a teenager I swam naked
in water that had a passenger train
pulsing in its bed.

In a whir of a late night winter storm,
lightning flashing like fireflies,
the bridge didn't close in time
the train didn't make it across.

I often thought about it
how the train reared up its head of steam,
the screeching sound of metal
as wheels locked like lovers' legs,
skidding off the end, the pale faces
of people pressed up against
windows like small moons.

As it dipped its nose into the water,
its belly of twisted metal crumpled,
folded in on itself.

I went out there once
with a boy I didn't really like.
We swam naked, bodies touching
beneath the crispness of the cold.

Later, we crawled up onto the bank
of mud and had sex
near the dead people, their bodies glowing
beneath the water like bone-white brilliance.

I couldn't ignore his eyes,
one green, one blue, so I closed
mine until I felt him shrink away and slide out.

Afterwards, we quickly dressed
like two shy kids.

I sat on the edge carving circles
in the water with my toes,
thinking about the dead,
tracing the faces below.

forthcoming in print in The Porch


How Love will Come, and When

He's only eight, but one
day his muscles will swell,
and girls will giggle
hand-cupped secrets in his ear
as he smiles and pushes his tongue
into the cushion of his cheek.
I watch them sifting dirt; they compare
snails they have evacuated
from hard-cased swirls, then mash mud between
hands, forcing it to ooze
between fingers. She offers hers, a perfect
round pie without the cherry,
to him. He spots a bullrush and splits it open
blowing the seeds like dancing
stars in her face.
They take off running,
bare feet hitting hot asphalt.
The heat doesn't bother them. Their soles
are unblemished, ripe. Their only
worry is who will get there
first; the swing will not stay empty long.
Years away, girls will wait with giggles
and cupped hands and breasts that
are just beginning to swell, like the twisted
knots of the tree he climbs.
Today they are making mud pies. Tomorrow
they'll be making love,
splitting one another open,
and entering a place
beyond hand-cupped secrets.

forthcoming in print in Yemassee


Kiss in the Cornfield

No one ever knew
how we'd sneak to the cornfield,
finding its center
so we couldn't be seen.
When we were seated, legs folded and crossed,
facing each other, our knees touched.
The bruises like soft wax
on our legs were small embers
burning, and you'd lean forward,
touch my milky face
and kiss me.
By then you had kissed me several times,
but still I'd wonder
why it was always slimy.
I should have expected the warmth
of your slippery tongue,
its smooth skin
and the way it'd slither in and dance.
Yet, each time I was dazed
by its forcefulness,
something swelling and rising in my mouth,
like a twisted tail thrashing
against my cheek.
That day we found a dead snake sun-stroked
in the cornfield, you laughed,
and dared me to touch it. I did,
its swelling skin like soft silk
against my own. Its body gleamed
in the sun. I imagined how it must have glided
unseen through the field, whole body
moving in unison, its mouth closing
around a mouse taking it whole,
sealing it in. I imagined the way it would feel
draped around my shoulders
touching me
and I smiled.


To Galileo's Universe

There were times when the tips of your fingers
might've fallen against my back
fitted in each groove and bone of my spine
a jig-saw puzzle
begging to come together
piece by piece.

But my heart furrowed in its stones;
rough, ragged edges glazed over
by an indiscriminate echo from your mouth.

Like the night we spent studying the constellations
on the domed ceiling
we witnessed the law of Galileo
spewing from his mouth.

Under a siege of inquisition
he lost his battle
to see a corner of heaven in a new way.

Four hundred years later
we still can't appreciate
that piece of heaven.

Palm over the arch of my hand,
your fingers interwoven in mine
Something so grand as Galileo
could happen.

(It's logic, right?) But for you and me,
as the dome cast its final shadow,
final star,
the Earth didn't seem to revolve
around the sun anymore.

You loosened my fingers and let my hand fall,
like the universe,
what Galileo missed was that it is open,
expanding forever,
gliding against the outside time of supernovas.

forthcoming in print in The Porch


Scott Malby
beowolf2@harborside.com

Bio (auto)

Scott Malby lives in Coos Bay, Oregon. He is a frequent contributor to journals.

The following work is Copyright © 2006, and owned by Scott Malby and may not be distributed or reprinted in any form whatsoever without written permission from the author.


A brief history of time

a.
Icarus

Praise be this windy rapture
of wings and surging blood
fighting its way through currents
inside me toward the sun.
And praise be the sweet kisses
of imagined immortality
time wraps in the refuge
of its own embarrassments.
When the physical thunders
I must climb, drenched
in a universe of hot honey;
my movement of muscle
all Arabian as I burn to be lord
of what I push against.

b.
The last tree carried through Los Angeles

Sometimes, it feels like a woodpecker
inside my brain or I'm taking a vacation
because the buzz I feel won't go away.
Like a potted plant fooled into bloom,
I woke in L.A. at night to find this flesh
of movement bursting through skin.
I experienced the light of street lamps
and stores, strung out before me
like the rush of an adrenalin addict
or streetwalker, glowing from inside out,
emerging here and there, exposed flesh,
a bit of breast. How brazenly Los Angeles
struts her stuff. Her curves are lovely.
Her ravines, revealing and deep.
Hello, Northridge. Hello, Van Nuys.
Hello Walmart, McDonalds, nursing homes,
funeral parlors, churches, check cashing
stores. I feel like I could grow rings.
I'm happy. I have found myself at last.
To those who knew me, but didn‚t know me
as well as they thought, my gender change
will come as a shock. My past is in a bird cage.
The best of me in tatters. I'm blowing paper.
The wind whips me like a mocking bird.
When time goes, it flies. Where it goes is mysterious.

c.
Self, I want

to whisper white lies in your head.
If I were your clock I would tick off time
and because my eyes are your napkin,
I must tell you that the dead don't dance
and I don't know what the real world is.
I can't keep secrets, while you step on
your own toes and stumble down stairs.


Death of a Mauve Bat! | Sinzibuckwud! | We Put Things In Our Mouths | A Man With No Teeth Serves Us Breakfast
I'd Like to Bake Your Good | Stolen Mummies| Brendan Constantine is My Kind of Town | Up Liberty's Skirt | Feeding Holy Cats | Mowing Fargo
I'm a Jew, Are You
| Lizard King of the Laundromat
| I Am My Own Orange County | Paris: It's The Cheese | Poetry Super Highway
Rick's Bookmarks |
Cobalt Poets | E-mail Rick | Upcoming Readings | Who The Hell Is Rick