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week of May 12 - 18, 2003

Our fifth annual Yom Hashoah (Holocaust Remembrance Day) issue.

Erika Abbott
Lisa Beatman
Jim Bennett
F.J. Bergmann
Tom Berman
Charles Bernstein
Bengt O Bjorklund
Roland Francis Bravo
Lynne Bronstein
Michael Burch
Tony Bush
Howard Camner
Ruth Daigon
T.J. Daniels
Susie Davidson
Cliff Fyman
Peter Shayne Griffin
Arthur Isaacson
Larry Jaffe
Stephen M. James
Kristin Johnson
Tammy Kaiser
Peter Kenny
Judy Z. Kronenfeld

BECOME A POET OF THE WEEK
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Stolen Mummies | Brendan Constantine is My Kind of Town | Up Liberty's Skirt | Feeding Holy Cats
Mowing Fargo
| I'm a Jew, Are You? | Lizard King of the Laundromat | I Am My Own Orange County
Paris: It's The Cheese
| Poetry Super Highway | Judaic Links | Rick's Bookmarks | Cobalt Poets
E-mail Rick
| Other Cool Rick Stuff / Upcoming Readings | Who The Hell Is Rick

 

 

 

 

 

Kelly A. Malone
Kelly.A.Malone@kp.org

Bio (auto)

I am the mother of three active boys. I also have a wonderful husband and a full time job as a Project Analyst in a Cancer Research Department in the health care industry. I was born in Southern California in May of 1963. I still live here and I still love it. I have been writing since I was around twelve years old. My primary poetic influences are Ogden Nash, Edna St. Vincent Millay and Dorothy Parker. Some of my published credits include York University's School of Women's Studies Journal, Cappers Magazine, The Rearview Quarterly, The Penwood Review, The Wesleyan Advocate Magazine, Free-Verse Magazine, The Street Corner magazine, Promise Magazine, Poems Niederngasse.com, Pulsar Ligden Poetry Society and The New American Review, Albany University's Press "Offcourse", Temple University's Press "Schuylkill", and Duke University's "Voices Journal", to name a few. I have written a book of poems that I hope to have published one day as well as a children's novel.

The following work is Copyright © 2003, and owned by Kelly A. Malone and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Auschwitz Child

Gentle child, receive this cloak
Wrap warmth around your fear
Look past the sorrow, through the smoke
Until again it's clear

Look past the horror that you feel
For I'll retrieve your light
Release the heartache you conceal
Release it to the night

Your sullen eyes hold so much pain
Your hands are stained with grief
I'll gladly free you from the chain
And offer you relief

This child who is in despair
This child left to die
A life that no adult should bear
A soul for which we cry

Ascend my precious, past the stars
Where comfort waits above
Relinquish life's oppressive scars
Replace them with my love

Unite again with simple dreams
Let mother brush your hair
Gone, the anguish and the screams
Replaced, the love and care

No more outcries in the night
Or sudden, shrill alarms
Cherished peace in gleaming white
Has wrapped you in its arms

I'll place you by your fathers' side
Your siblings gather round'
Again you have a sense of pride
Your family safe and sound

Karen Mandell
karenmandell@hotmail.com

Bio (auto)

I've been published in a variety of literary magazines and taught writing at the college level in Minnesota and Massachusetts. My father was on the last boat out of Danzig, Poland in late August, 1939, and none of his family survived.

The following work is Copyright © 2003, and owned by Karen Mandell and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Clear-cut

They rang the bell when I was at the counter,
one hand grasping the knobbly neck of a summer squash,
the other wielding the knife. I was intent on vegetable
decapitation, first the squash and then the potato heads.
Given a reprieve, they waited while I opened the door
to the young couple. I barely noticed the girl, scraped back
hair twisted into a pony tail, round face, but the boy,
the boy in wire glasses gripping a clipboard
wrapped his words around my neck and pulled me
into a world where polar bears, mothers and cubs, awaited
certain death from arctic drilling, where forests would be clear cut,
where roads would extend across national parks like razors slicing through skin.
Who hadn't heard all of this before?
You agree with our policies, don&Mac226;t you, he asked
as I reached for my checkbook, and when I said yes
I thought he would throw his arms around my neck
and take me with him and the girl, three resistance fighters
hiding in the woods, using sloughed off birch bark as bowls
for wild raspberries foraged at daybreak, raiding barns before dawn
for pilfered eggs, commandeering trains carrying munitions to the front,
and, when the mission failed, jumping from the train. The boy died,
pulled by unyielding forces. It wasn't this boy who died but another,
another boy with wire glasses, my father calling out to him
fifty years later when he too would be pulled, commandeered
by forces he was past fighting.

Daniel McGinn
djmcginn@earthlink.net

Bio (auto)

Daniel McGinn who lives in Whittier California, has been a part of the OC/LA/909 poetry scene since 1995. He has co-hosted a weekly reading series, was a member of the 1996 Los Angeles National Slam team, and has been a regular contributor to the OC Weekly and Next Magazine. He recently celebrated his 26th wedding anniversary to poet Lori McGinn and the birth of their first grandchild, Emma Grace Saunders.

The following work is Copyright © 2003, and owned by Daniel McGinn and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Dreaming of Warsaw

night breaks down into a murder of crows
you talk in your sleep with a polish accent
dark fruit drops from the shadow trees
you ask me for tea with two lumps please

you talk in your sleep with a polish accent
you fidget in sleep with each siren's pass
you ask me for tea with two lumps please
your breathing is marching like boots in a village

you fidget in sleep with each siren's pass
dreams rip to shreds like claws on black paper
your breathing is marching like boots in a village
black dogs held back by black leather leashes

dreams rip to shreds like claws on black paper
multiply stench by the shaking of trains
black dogs held back by black leather leashes
walk the banks of the hungry human river

multiply stench by the shaking of trains
explode the hinges and my dream slaps the floor
walk the banks of the hungry human river
naked in my kitchen as they search for children

explode the hinges and my dream slaps the floor
dark fruit drops from the shadow trees
naked in my kitchen as they search for children
my night breaks down into a murder of crows

Stephen Mead
mead815@yahoo.com

Bio (auto)

Stephen Mead lives in Albany, New York. Visit him on the web here.

The following work is Copyright © 2003, and owned by Stephen Mead and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Annex

This chiascuro is only
smoke against glass,
is that flat cloud
pressed to this skylight
or, no, that cloud is fat,
& I, the thin one
pressed, a franc
in a book, the diary
of an attic
yet breathing jet streams
which have nothing to do with
ack ack beyond black outs,
no, nothing to do with this
mole life at the top
of some suburban
underground house,
subversive because
it's safe enough just
to let shadows imagine light

shafts
.....past.....cracks

Neil Meili
meilineil@hotmail.com

Bio (auto)

Neil Meili lives in Canada, Texas.

The following work is Copyright © 2003, and owned by Neil Meili and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Child of the survivors

......for Iudita

Artists without hands
hold the brush with their feet

Without hands or feet
hold the brush in their teeth

As for me and my friend
we are reduced to navels

And small circles
in the center of
the canvas

Mick Moss
kmo7@btinternet.com

Bio (auto)

Mick Moss lives in Liverpool, England.

The following work is Copyright © 2003, and owned by Mick Moss and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Stench

It's not so much the sights
or sounds
I remember
but the smell

adding insult to atrocity
the guards said
it smelled like
roasting pork

I wouldn't know
to me it smelled like
Armageddon
not fire and brimstone
but the clinging
sickly sweet
stench
of the end of
humanity

Leslie Maryann Neal
poetlesliemaryann@yahoo.com

Bio (auto)

Leslie Maryann Neal lives in Los Angeles where even breathing can be considered performance art.

The following work is Copyright © 2003, and owned by Leslie Maryann Neal and may not be distributed or reprinted in any form whatsoever without written permission from the author.

For Anne Frank

I see your sunken face,
eyes deep as wells
but there is no water.
They are not blue.

You at Auschwitz,
crying for the gypsy girls
riding the potholed road
to the crematory.
Your mother died in the dark
you left behind
when they took you
on the train,
still glowing with hope.

You at Belsen
through the winter,
living on air and sand
and your own stubbornness,
long enough to see
one week more of spring
than your sister,
not long enough to see
your sixteenth birthday.

In those twenty-five
months on Prinsengracht,
kissing Peter Van Daan
in the moonlight
through the attic window,
his hands in your hair,
did you know theyíd shave
off those pretty curls?

Laurence Overmire
larryover@worldnet.att.net

Bio (auto)

Laurence Overmire is an actor/director/writer who has worked on stage, film and television. His poetry has been widely published in the U.S. and abroad, including "American Muse," "Kimera," "Main Street Rag Poetry Journal," "Red Coral," "Lynx: Poetry from Bath," "Samsara Quarterly," "Jack Magazine," "Stirring," "Free Zone Quarterly," "Pogonip," "Kookamonga Square" and many others.

The following work is Copyright © 2003, and owned by Laurence Overmire and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Lest We Forget

The movie was about Jews
In some prison camp or something

A long time ago, who knows
And most of them died but this

One survived and that was about it.
We left as soon as it was over

And went out and got pizza.

Ben Passikoff
benpas969@aol.com

Bio (auto)

Ben Passikoff lives in Flushing, New York.

The following work is Copyright © 2003, and owned by Ben Passikoff and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Divide By Zero

Warming old distance
like serious sun, my intense
Celsius caresses decay -

my inner oleander
odoring colon, liver, bronchi,
bongo-beating blood.

Among the stars is relevance.
Here on our only spin
we rhyme our skins awhile,

and sullen snow creams
earth. We join
the white majoriy of skeletons.

Night stalks me, spreadpaws
pacing cage,
belly hanging, animal.

Copious God, your
inventory colors,
balanced by priestly

accountants, murderhanded
initialing the ovens
where Jewbodies bubbled -

savior-faced
between destructions -
your tears fall in water.

Again, your nailing eyes
pierce me to last wood,
unresurrected.

Norman S. Pollack
norman@unsoft.com

Bio (auto)

I was born on January 1, 1942 and grew up in New Jersey. South Florida has been my home since 1977. I was a high school English in a suburban community in New Jersey (11 years). I have also owned three bookstores, served as an Executive Director for non-profit organizations for seventeen years and now currently own a software company. I am also the co-owner of the poetry writing website, Poem Train.

The following work is Copyright © 2003, and owned by Norman S. Pollack and may not be distributed or reprinted in any form whatsoever without written permission from the author.

A Triptych: From the Mountains

(1) From the mountains to a hurricane

From the Pacific mountains
they set them down,
those lofty pines.
With deliberate chainsaws,
they shattered the silent nights
while ears could still hear
the buildings rising.

The armies marched apace.
While broken splintered pillars
were loaded like slain ghetto victims,
on to cross country wheels.
They were less majestic,
lying prone,
not moved by winds
off distant shores.

The flatbed hearses
all in a row,
conveyed their cargo ====
a caravan of progress
down the highway.

All milling about,
some stood for hours
in
line
at
the
depot
waiting
for the hurricane to arrive.


(2) From the mountains - to a cemetery

From the Tatra mountains of Poland,
the wind saw them cut down.
Those lofty pines were
Once supple, and strong.
Now like shattered glass,
the silent nights
can only hear the saplings' sighs.

The armies marched apace
while splintered branches,
and brittle, mangled twigs,
were piled onto pushcarts.

The cargo loaded,
=== lying prone ===
unmoved by prayers;
they never heard from
those who were not there.

Boxcar hearses
on cross country wheels,
those caravans of progress
hauled half-dead timber
down groaning tracks.

In the shadow of Gerlach, *
those once majestic pines,
are now a graveyard's raw material.
Milling about,
they stand for hours
in line for selection,
soon to be sawdust.

* the name of the highest peak of the
Tatra Mountains



(3) From the mountains - to a mountain

From the oldest mountains,
he was told to cut down
those ancient trees
made strong by prescribed flames.
Lightning shattered
the silent nights,
and the water drowned
the saplings' sighs.

They had marched apace,
two by two,
to save the world from itself,
loaded like victims,
the would-be survivors.

The cargo secured,
they were unable to move
until the storm began;
There was a clap of thunder,
then came the fear of dying
for those who were part
of an unnatural selection,
a floating caravan of One.

Time's shadow passed over
the devastation, until finally,
two left the graveyard.
One returned with the branch
of hope.

Atop a Turkish mountain,
millennia away
from the peaceful mountains,
from the Tatra mountains,
and further still
from the forest's necessary surface fires,
some began to plant
the seeds again.

Vera Rich
verarich@clara.co.uk

Bio (auto)

Vera Rich lives wherever at the moment she hangs her handbag... but has a home-base in London. She has been a professional writer since the age of 15; and a full-time (and selfsupporting) writer and literary translator since leaving university in 1961. Apart from her own poetry and translations from Belarusian, Ukrainian, Polish, Russian, Romanian, Spanish and Icelandic, her published work includes a monograph 'The Image of the Jew in Belarusian Literature - the Post-Stalin period' (KTAV, New York, 1984). In 1997 she was awarded the Ivan Franko prize for services to Ukrainian literature. She is founder and editor of MANIFOLD - magazine of new poetry and founder of the 'Manifold Voices' live poetry troupe.

The following work is Copyright © 2003, and owned by Vera Rich and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Holocaust Monument - Rehovot

At first the mind leaps at the balanced scrolls,
Thinking: 'How is it managed, where the mid-line,
The counter-weight, the pivot, holding skew
These twenty tonnes of solid metal?'
Then
Comes fascination of the well-wrought image:
The heart torn from the Torah, tattooed numbers
And the fountain of everlasting tears; it seems
Almost too skillful, as if intellect
Not grief inspired it.... Later, only later,
Soul is aware of pain that dare not know
Itself for what it is, seeking relief
In a plethora of interwoven symbols...
- And seeking vainly...

Ryfkah
Everyfkah@aol.com

Bio (auto)

Born in Chicago, Ryfkah now resides in La Mirada, California with two of her three daughters. She is a sixth grade teacher at Los Alisos Middle School in Norwalk. She is an avid student of Kabbalah, Jewish mysticism, and of the teachings of Rebbe Nachman of Breslov. Ryfkah has been published in anthologies including a chapbook collection of her own work, If Venus Had Arms, by the North Orange County Poetry Continuum and various print and on-line magazines. She has been featured at poetry venues throughout the Los Angeles area. She is currently a member of WomanSong, a troupe of women poets who speak out against abuse and for the celebration of life.

The following work is Copyright © 2003, and owned by Ryfkah and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Ashes to Ashes

Ashes slough off as water drips from nozzle
Fire devours hill after hill Panicked horses shriek
Coyotes wail in the moonless night
Sparks spew on rooftop Garden hose plays god

Our dog Phoenix ran when the sky moltened
He hightailed through the cypress grove
down the canyon away from the blaze
A cougar's ruby eyes flicker in the dust

The Magic Flute sings in the living room
Bird people float through smoky yellow
Bull horn announcements repeat
Evacuate
....Evacuate....Evacuate Now

Grandpa Leibowitz built this house himself
his family perished in holocaust flames
so we take these trickling hoses
sprinkle our home for redemption

Stolen Mummies | Brendan Constantine is My Kind of Town | Up Liberty's Skirt | Feeding Holy Cats
Mowing Fargo
| I'm a Jew, Are You? | Lizard King of the Laundromat | I Am My Own Orange County
Paris: It's The Cheese
| Poetry Super Highway | Judaic Links | Rick's Bookmarks | Cobalt Poets
E-mail Rick
| Other Cool Rick Stuff / Upcoming Readings | Who The Hell Is Rick